Tesla Model X will get a Marilyn Monroe Easter Egg that sings Happy Birthday
Read more here!
Read more here!
Wishing Jean Harlow a happy birthday! She was born on March 3, 1911, in Kansas City to a mild-mannered dentist and his headstrong wife. Her parents’ marriage didn’t last long but they still produced a daughter, Harlean Carpenter, who would grow up to be Hollywood’s first “platinum blonde” and “blonde bombshell.” Both terms were created especially for her white-blonde hair color, which became all the rage after Harlow’s success in movies. Once she moved to MGM, her fame skyrocketed and she was a bonafide sensation.
One of her many fans in the 1930s was a little girl in Hollywood named Norma Jeane, who read about the blonde movie queen in fan magazines. Norma Jeanne’s guardian, Grace McKee Goddard, was also a Harlow fan and liked to tell the little girl that one day she would grow up to be like Jean Harlow.
As Marilyn Monroe began her own acting career, she patterned her look after her childhood idol. She gave the blonde image her own twist, but Marilyn herself always acknowledged Jean Harlow’s influence. Even when she was older, Marilyn felt a closeness to the original blonde bombshell and believed the two had much in common.
“I keep thinking of her, rolling over the facts of her life,” Marilyn said of Jean. “It was kind of spooky and sometimes I thought, Am I making this happen? But I don’t think so. We just seemed to have the same spirit or something, I don’t know. I kept wondering if I’d die young like her too.”
*Marilyn posing as her idol Jean Harlow for a series of photographs taken for LIFE Magazine by Richard Avendon in 1958*
16 April 2018 – 30 April 2018
Mondays 7-9pm
Freud Museum, London. United Kingdom, 20 Maresfield Gardens, Hampstead, London NW3 5SX
Norma Jeane Baker transformed into Marilyn Monroe inside Hollywood’s ravenous glare. She began her entertainment career as a pinup model and soon secured her place as a bona fide international movie star. The ever-luminous Marilyn stole every scene she appeared in; many cinema scholars equate Monroe with the essence of the art form itself, due to the magic she invariably conjured up on the silver screen. She possessed an instinctive and sophisticated understanding of how to construct memorable images, and was not afraid of being vulnerable in her artistic process.
But beauty, talent and success did not diminish the pain of emotional difficulties Marilyn lived through. Abandoned in childhood by her parents, she experienced the vagaries of fame in her professional life, was bullied by powerful studio bosses, had three unsuccessful marriages and endured fertility problems, turning to alcohol and pills to cope with debilitating neuroses. Beneath the social mask of cheerful joie de vivre, Marilyn suffered enormously – and had the wherewithal to channel sorrow into her craft, evident in her interest in psychoanalysis and reliance on Method Acting to deliver authentic performances. Her untimely death at the age of 36 did not stop the ascension of her star in popular culture; quite the opposite, film experts and amateurs alike see her as a modern-day Aphrodite.
In this new PROJECTIONS series, we will examine the creation of Marilyn Monroe’s onscreen persona, and the psychological underpinnings that shaped not only how she projected herself, but also the ways in which film audiences continue to respond to her. We will consider the symbolism contained in Marilyn’s most famous film characters within three categories: the origins of her celebrity, the establishment of her icon, and a burning desire to disrupt widespread perceptions of who she was.
Advance viewing is optional, select scenes and montages will be shown during weekly sessions (see filmography below).
Week 1 – A STAR IS BORN
Ladies of the Chorus (1948), All About Eve (1950), Monkey Business (1952), Niagara (1953)
Week 2 – ICONIC PERFORMANCES
Gentlemen Prefer Blondes (1953), How to Marry a Millionaire (1953), The Seven-Year Itch (1955), Some Like It Hot (1959)
Week 3 – ROCKING THE BOAT
Bus Stop (1956), The Prince and the Showgirl (1957), Let’s Make Love (1960), The Misfits (1961)
https://www.freud.org.uk/events/77120/projections-marilyn-monroes-onscreen-persona/
“I like animals. If you talk to a dog or a cat, it doesn’t tell you to shut up.” Marilyn Monroe.
Happy Chinese New Year to all the Marilyn fans out there! 2018 sees it being the year of the Dog. Marilyn owned many pets in her lifetime, most of which were dogs. Here we take a look back at Monroe’s canine companions.
TIPPY
Tippy was a black and white dog given to Norma Jeane by her foster father, Albert Wayne Bolendar. Every day, Tippy would go to school with Norma Jeane. He would wait and play with her at recess. Circa 1932, when Norma Jeane was five or six, Tippy was shot by a neighbor, who claimed the dog was rolling around in his garden. Marilyn was to later claim in her autobiography that the neighbor “cut Tippy in half with a hoe.”
RUFFLES
Either an English or Brittany spaniel, Ruffles lived with Norma Jeane when she lived with the Godard family. Norma Jeane and her “sister” Beebe shared the spaniel as their pet, around 1940.
MUGGSIE
Muggsie was collie given to Norma Jeane by her first husband, James Dougherty, in the late 1940’s. Norma Jeane loved taking care of and playing with Muggsie and the two became best pals.
However, after Norma Jeane began her career as a model/actress and changed her named to “Marilyn Monroe,” she didn’t have any time to devote to Muggsie. According to Dougherty, Muggsie died of “a broken heart”.
JOSEPHA
Josepha was a Chihuahua Marilyn owned at the time she was signed to a movie contract by Columbia pictures in 1948.
HUGO
Hugo was a Basset hound who lived with Marilyn and her third husband, Arthur Miller, at their East 57th street apartment in New York in the late ’50’s. Once, Marilyn and her friend Norman Rosten spoon-fed Hugo straight scotch to cheer him up. When Marilyn and Arthur split up, Arthur retained custody of Hugo.
MAF
“I live here all alone with my snowball, my little white poodle – he was given to me by my dear old friend Frank Sinatra. I call him Maf.” Marilyn Monroe
Frank Sinatra gave Marilyn a little white poodle as a gift. Frank had purchased the dog from Natalie Wood’s mother. Marilyn named the dog Maf, as a humorous reference to Sinatra’s alleged connection with the mafia. Maf sleep on the expensive white beaver coat he had given her as a gift. When Marilyn moved back to Hollywood after she and Miller divorced, she had Maf flown out to Hollywood to be with her. After her death, Maf was inherited by Frank Sinatra’s secretary, Gloria Lovell. Sadly, although Maf long outlived Marilyn, he was tragically run over and lost his life.
In 2010, a book was released called “The Life and Opinions of Maf the Dog and of his friend Marilyn Monroe.” a very original idea of telling Marilyn’s *fictional* life story of her later years, through the eyes of her beloved pet, Maf.
To read more about the book and to purchase, head here: https://www.amazon.co.uk/Life-Opinions-Friend-Marilyn-Monroe/dp/0151013721
“Dogs never bit me, just humans.” Marilyn Monroe.
Marilyn also worked with dogs throughout the years on various photoshoots and even some films. These are just a small sample of some of the beautiful photographs taken over the years.
Photos copyright of the Milton H. Greene Archives.
Taken for a Look magazine editorial on Oriental Gowns, Milton photographed Marilyn at his New York studio on March 28, 1955.
In 1958, Life Magazine invited Marilyn Monroe and photographer Richard Avedon to recreate images of five celebrated actresses of different eras (Jean Harlow, Clara Bow, Theda Bara and Lillian Russell. Entitled “Fabled Enchantresses,” the piece was part of the magazine’s December 22 “Christmas” issue and included an article by Marilyn’s playwright husband, Arthur Miller, entitled “My Wife, Marilyn.” For her depiction of Jean Harlow, Marilyn posed with a beautiful white Borzoi dog for the photos.
Early modelling shots with Muggsie by Joseph Jasguar.
Early modelling shots by Bruno Bernard.
Photo by Andre De Dienes irca 1948
Two Hollywood legends. During a party held at famous band leader Ray Anthony’s house in Marilyn’s name on August 3rd 1952, Marilyn met the star of the “Lassie” movies! Though both seemed as star struck as each other!
Photos copyright of the Milton H. Greene Archives.
Marilyn having fun in the pool at Richard Rogers home in Conneticut circa 1955.
Marilyn at the French Consulate in New York to receive the French Crystal Star for “The Prince and the Showgirl”, February 26th 1959. Here she is posing with two dachshunds.
Marilyn and her “co star” in ‘The Misfits’ at the top and with one of the crew members dogs on the set.
Last but by no means least, in her last uncompleted film “Something’s Got To Give,” Marilyn had to film some scenes with Jeff the dog (or “Tippy” as he’s named in the film.) Although Jeff was word/bark perfect in rehersals, when it came to shooting, he just couldn’t and wouldn’t bark on cue, leading to countless hours of hilarious outtakes of Marilyn playing around with the dog and seeing her try her best to work with such an uncooperative star!